(c) Peter Lindbergh, Erin Wasson, Paramount Studios, Hollywood, USA, 2002
(c) Rennie Ellis, Lady Medina The Ritz 1977
(c) Elmo Tide
(c) Bert Hardy – Chinatown, Liverpool, May 1942
(c) Gilbert Garcin 2007
(c) Arnold Newman I.M. Pei, New York, NY, 1967
(c) Ralph Crane Surf Festival 1965 Manhattan Beach CA US
(c) Jerry Schatzberg, Betsy Pickering on Wall Street, 1958
(c) Sid Grossman San Gennaro Festival, New York City 1948
(c) Robert Adams Summer Nights #2 (Longmont, Colorado) 1979
(c) Ken Steinhoff
(c) Bedrich Grunzweig, Arrival at Penn Station, 1950
(c) William Albert Allard
(c) Stanko Abadžic
(c) Dennis Stock, Miles Davis – Birdland – 1958
(c) Herman Leonard, Duke Ellington, Paris, 1958
(c) HIROSHI SUGIMOTO Salvador Dali, 1999
(c) CECIL BEATON Carmen.30s
(c) Arnold Newman Helen Hayes, 1959
(c) Henri Cartier Bresson, New York, 1947
(c) Herbert Maeder 1952
(c) Jack Delano, “The waiting room of Union Station in Chicago”, 1943
(c) Werner Bischof, The Former Ballroom, Fôt, Hungary, 1947
(c) Josef Sudek
(c) Lothar Reichel 1970
(c) Michael Ackerman
(c) Peer Kugler
(c) Dmitri Baltermants































Je suffoque, il y en a trop – ce n’est pas un reproche, c’est juste que… quel cadeau encore !
J’aime la façon de renforcer les impressions ressenties par – bien souvent – une hiérarchie de l’image et des informations.